Seven fundamental works of Javier Marías

Javier Marías was a cultured and Anglophile writer of novels, short stories, essays and newspaper articles, and he left a body of work that is often autobiographical in which he explores the nature of truth and violence in titles such as “Your Face Tomorrow”, “Heart So White” or “Tomorrow in battle think of me.”

With prose full of digressions, Marías began publishing (and translating) at a very young age, and at 20 the first of his 16 novels appeared in bookstores, “Domains of the Wolf” (1971) followed by “crossing the horizon” (1972) and “Monarch of Time” (1978).

Here are some of the more notable books he wrote, often returning to earlier plots and characters:


It was his first big hit. edited in 44 countries and translated into 37 languages. A novel in which some of the themes that preoccupy him emerge: secrecy, suspicion, silence, and how white hearts lose their purity.

“I didn’t want to know, but I did know that one of the girls, when she was no longer a girl and had recently returned from her honeymoon, went into the bathroom, stood in front of the mirror, opened her blouse, took off her bra and looked for her heart with the gun …” he writes as the first paragraph of the novel.


Another phrase from Shakespeare, as in the previous one, for the title of a novel and another memorable opening: “No one ever thinks that he can go to meet a dead woman in his arms, and that he will no longer see her face whose name he remembers “.

with the participation of a “ghost writer” which ends in the bedroom of a woman who dies when they are about to cheat, this novel has won awards such as Romulo Gallegos International Novel, Fastenrath, Fémina Étranger and Letterario Internazionale Mondello-Città di Palermo.


written as the opposite of “All Souls” (1988), which tells the story of a Spanish professor who teaches at Oxford – something Anglophile Javier Marías did between 1983 and 1985 – this novel turns into fiction what was real in the first.

A “fake novel”, said the writer, which mixes fiction, autobiography and reflections on turn-of-the-century literature. It appeared in “Reino de Redonda”, which years later gave its name to a publishing house founded by Marías.


Considered a masterpiece by Javier Marías. A trilogy of novels consisting of Fever and Spear (2002), Dance and Dream (2004) and Poison, Shadow and Farewell (2007). A an ambitious work in three volumeswhich can also be read independently, which follows the adventures of Jacques or Jaime or Jacobo Deza, a spy in the English secret service.

The plot unfolds with the slowness and static that Marías cultivates, halfway between spy novel, literary essay, and autobiographical artifact. Your Face Tomorrow explores the nature of truth, selfishness and violence with a plot largely set in Oxford.


Her first novel with a female narrator (Maria Dolz) explores love, its phases and consequences as a tragic and mysterious event unfolds. Think about problems like impunity, chance and truth in the context of the literary and publishing world of which he makes some criticism.

It won the Tomasi di Lampedusa Award and was a finalist for the Best Book of the Year by the National Circle of Literary Critics in the United States.


“For a while she wasn’t sure if her husband was her husband. Sometimes she believed she was, sometimes she believed she wasn’t, and sometimes she decided not to believe anything and continue living her life with him or this man like him, older than him. But she also grew old alone, in his absence, she was very young when she married.”

The last two novels of Javier Marías tell the story of a couple, Bertha Isla and Thomas Nevinson. In this first one, in Berta’s voice, it tells how they met very young in Madrid and decided to get married. Years later, she discovers that he has been arrested by the British Secret Service.

Pretenses, discontent and waiting inhabit a play in which Bertha must survive and fend for herself during her husband’s prolonged absences.


Nevinson’s point of view and new adventures are the main characters of the last novel Marias published in his lifetime. In this case, his work moved to Spain, to a city in the northwest where you have to identify an IRA terrorist who worked for ETA.

In this work, between reminiscences of recent history, Marías reflects on means and ends, on how much greater evils must be avoided, and on the nature of evil with phrases such as “What a short distance between everything and nothing, between fierce life and death , between panic and regret”.

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